“So, this is what they
meant by the Miller stop,” Frank said, as he and Auburn got out of the
car. “It’s not a street—it’s a movie
theater!”
Yes, it was—but it wasn’t
in good shape, that’s for sure! The
little, one-story, abandoned theater building stood on the corner of NW 2nd
and Main, its sign still proudly displayed atop a tower of rusted metal that
shot up on the Main Street side. With
architecture of mostly cement, save for the brick center post holding up the
entryway on the corner, the building wouldn’t have been much to look at. However, a brilliant red sign adorned with
lights wrapped around the corner above the door, its unfaded color making the
empty spaces where the movie titles had once been seem emptier. The glass doors at the front were locked
securely, but the window on the 2nd Street side had holes in them. With slight encouragement from Frank, there
was soon an opening large enough for him and Auburn to pass through.
“I’m already liking this
theater better than Blackwell’s,” Auburn said.
“You did hear about that part of the story, right?”
“I’m not sure,” said
Frank. “Wait—there was some movie—”
“The Brotherhood Club met
at the old Rivoli Theater in Blackwell,” said Auburn. “Richards had his offices there, and he used
the screen to show—well, I won’t tell you what he showed—it was too
horrible. Fake, fortunately, but too
awful. I still can’t walk in that place
without hearing his voice.”
“Well, they’re not showing
anything here,” Frank said, pushing open the door to the main room. “Get a load of that theater!”
A few red, overstuffed
theater chairs still stood, arranged in front of a screen that had managed to
maintain its white color. The chairs
probably were still their original red, but a thick layer of dust covered all
of them. In some places, stuffing leaked
out, indicating that theater maintenance had been declining before the place
had finally been abandoned. Something
small scurried in a corner—Frank got his flashlight over in time to see a mouse
run into a hole.
“I still like this better
than the Rivoli,” Auburn said. “Feels
more comfortable, without him
around. Well, how do we get to the
subway?”
“Simple!” Frank shone his
light to the front of the room, until he found an “Employees Only” door on the
left. “The basement wasn’t for
houseguests, so the stairs will probably be somewhere back there. Come along, and watch your step!”
They hurried through the
empty aisles, Frank glancing a few times at the screen and wondering how many
John Wayne titles had seen their debut here.
Reaching the back, Frank pushed open the door, revealing—
“Oh, there’s the
staircase,” he said. “Don’t fall down
it!”
“That’s the last thing I’d
want to do,” said Auburn.
They started down the dingy
cement steps until they reached the basement.
Here, Frank put the flashlight up and shone it around the room. It was about the size of the theater, but
bare for the most part—except for—
“Cool!” Frank said,
studying the walls. “Movie posters!”
A bunch of the classic posters
from movies the building had shown hung around—Red River, Angels in the
Outfield, I Was a Communist for the
FBI, etc. The brilliant cover art,
the scenes of excitement and distress, and the long-forgotten names caused
Frank to almost smell the popcorn, to almost hear the voices of the famous
stars named on the wall—
“I don’t see a door or
anything,” said Auburn. “How do you
suppose they’d have gotten in?”
“Oh, you’re right,” said
Frank, shining the light around. “I
can’t see one either. He shone the light
at the staircase, thought a moment, then pointed to the far wall. “If there is one, it should be on that side.”
Auburn looked over. “Posters all the way across. If there is one, it’ll be behind one. The question is, which one?”
“I dunno,” Frank surveyed
the posters. “We’ll have to check all of
them, I guess…unless—”
Suddenly, he ran over to a
poster on the left, then started tapping it, about doorknob level. All at once, there was a click, and the poster slid down into the ground—revealing a yawning
black cavern! Frank pointed eagerly
ahead.
“That’s it!” he said. “That must be the subway!”
“Nice work!” said Auburn,
“but how did you know it was Godzilla?”
“Simple,” said Frank. “There’s a scene in the original where the
monster throws a subway train around.
Whoever put the poster here had a sense of humor—and knew their films.” He waved a hand. “Come on—let’s take a look around.”
Carefully, the two worked
their way into the abyss, using their lights until they’d crossed the platform
and come to the edge of the track. Frank
switched off his light and glanced up and down the tunnel, Auburn doing the
same.
“Nothing coming,” Frank
concluded. “We should be good to go—I
can’t even see a light, yet!”
“There won’t be anything
coming,” Auburn stated, switching her light on.
“Not from that end. Look!”
There, to the north, a
bunch of automobiles were lined up in a row.
None of them had license plates, and none were in disrepair, but that
didn’t stop the two from concluding that these must be some of the stolen
lot. “Nancy said as much when we went
down,” Frank said. “It looks like we
made the right move.”
“Why don’t we turn our
walkie-talkies on?” Auburn asked.
“Not until we know what’s
going on,” Frank said. “I don’t see
anyone, but that doesn’t mean someone’s not taking a nap around here. We’ll keep quiet until we find
something.” He consulted his map. “That loop interests me. I think we ought to search it.
“It seems to be just a bit
south of us,” said Auburn, gesturing with her flashlight. “We should reach it in a minute.”
“I see,” said Frank. The two started slowly forward, no sound but
their footsteps for the longest time.
“Here we are!” Auburn
suddenly exclaimed, pointing with her light.
Frank moved his in the same direction, then flicked it off.
“Turn it out,” he
whispered. “Just in case anyone’s in the
tunnel.”
The two started down the
switch—a short loop that quickly reached the main track. As they got closer, Frank sucked in his
breath. “Hey, it’s getting brighter!” he
said. “Someone’s coming—”
“What’s that rumbling?”
Auburn just had time to ask. Suddenly, a
subway train flew by on the east-west track ahead!
Frank watched it go, then let
out a sigh of relief. “Whew, that was a
close one!” he said. Leaning out, he
watched the taillights get slowly smaller and smaller. “I guess they still use this track—”
“Frank, look!” said
Auburn. “The other way!”
Whirling around, Frank
followed her gaze. The red light lit the
tunnel’s eastern end for several feet, but the very end of it was in darkness.
“What’d you see?” he asked
her.
“Two figures,” Auburn
said. “Way down on the dead end of the
tunnel. And if I’m not mistaken, they
were tied up—”
Frank switched on his
light. “You weren’t mistaken!” he
said. “Can you tell who they are?”
Auburn shook her head. “Too far off!”
“Same here, but if they’re
tied up, they’re probably friendly.
Let’s go help them—switch out your light, though. We’ll put it on again once we get closer, and
we’re sure no one else is around.”
The two turned their lights
out, then broke into a run. Flying
through the darkness, they might have been expected to hit something. However, the tunnel was built perfectly
straight. As long as they didn’t alter
their course, they could get through it without any accidents. Thus, they were almost at the wall before
Frank flicked on his light again—
“Stephanie!” he exclaimed.
“Brittany!” Auburn called
at the same time.
Both girls were tied and
gagged against the wall—a wall Frank and Auburn now noticed was covered with
black and yellow stripes, plus scratch marks.
Their friends looked worn out, thinner than usual, weak—but oh, so excited
to see people they knew. Hope went
surging into their eyes as Frank and Auburn darted up.
“I’ve got a knife,” said
Frank, reaching into his pocket. “I’ll
have you untied in just a second, Stephanie.
Auburn, do you need one, or—”
“I’ve got my own, thank you
very much,” said Auburn. “Brittany! I’ve found you at last!”
“Took you long enough!”
said Brittany, as her friend got the gag off.
“How did you discover the subway?
I didn’t even know about it until they took me here.”
“You can thank my friend Frank
and his family for that.” Auburn nodded
at the oldest Anderson. “His sister
found the clue in Stephanie’s library book—”
“Which, I assume, is how
you figured out where Brittany was,” Frank said, as he untied Ashley’s sister.
Stephanie took a deep breath
before answering. “Oh, it feels so good
to get that gag off,” she said. “Believe
it or not, I didn’t even realize Brittany was missing until they threw me in
here! The day I disappeared, I got a
letter from her about the car thieves.
She mentioned in it that the gang was working all over the state, and
she thought that they must have some big, secret base where they were storing
all the cars. I’d been reading that Planes, Trains, and Automobiles book,
and I instantly thought of Anadarko. That
night, I drove out here and decided to investigate...” Stephanie shook her
head, meekly. “Boy, was that a stupid
move! I guess I didn’t think about how
hard it would be to slip into a criminal’s lair and investigate it without
getting caught. You can guess what
happened next.”
“They caught you, tied you
up, and forced you to tell how they found them?”
Stephanie grimaced. “They were so rough—I didn’t know what to
do. I just answered all their
questions…”
“…and that’s how they found
out about the library book,” Frank said gravely. “Well, it doesn’t matter now. They stole your copy, but we found another
one, and that’s how we found you two. Ashley
and Nancy are around—you’ll see them soon, I’m sure. Right now, though, we’ve got to—what’s the
matter?”
Stephanie’s face hadn’t had
a whole lot of color in it to begin with, but what little there had been had
vanished. With a trembling finger, she
pointed down the tunnel. “Look!” she
said. “On the tracks!”
Frank and Auburn whirled
around, then gasped. Far off in the
distance, two specks of light twinkled in the blackness. They grew bigger and bigger as a subway car
rushed over the rails, ready to smash them all against the wall!
I don't think this will end tragically.
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